Scarecrow on Fire
We all think about suddenly disappearing.
The train tracks lead there, into the woods.
Even in the financial district: wooden doors
in alleyways. First I want to put something small
into your hand, a button or river stone or
key to I don’t know what. I don’t
have that house anymore across from the graveyard
and its black angel. What counts as a proper
goodbye? My last winter in Iowa there was always
a ladybug or two in the kitchen for cheer
even when it was ten below. We all feel
suspended over a drop into nothingness.
Once you get close enough, you see what
one is stitching is a human heart. Another
is vomiting wings. Hell, even now I love life.
Whenever you put your feet on the floor
in the morning, whatever the nightmare,
it’s a miracle or fantastic illusion:
the solidity of the boards, the steadiness
coming into the legs. Where did we get
the idea when we were kids to rub dirt
into the wound or was that just Pennsylvania?
Maybe poems are made of breath, the way water,
cajoled to boil, says, This is my soul, freed.
Dean Young
from American Poetry Review
June/July 2009
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2 comments:
I thought you wrote this for a good ten lines. Bummer, man.
I know. Most good poems hurt because you didn't write them. They do more harm than good.
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